ARMANDO SOSA

Master Weaver

Through my weaving, I am working to express my dreams, my memories, the overlapping cultural influences of my life in the United States, and my aspirations for the future.  The traditional motifs repeated in different forms and colors throughout my textiles are a means of connecting with, celebrating, and preserving the rich and complex Guatemalan culture of my childhood. 

But the work I do connects to many cultures, not just Latin American culture. The looms I’m working with, which I built, are based on designs from looms made in China and Europe thousands of years ago. The designs I use in the tapestries are also centuries, if not millennia old. Some have been discovered in tombs or other lost places. I feel that it is important to keep these beautiful and sometimes ancient designs alive, to keep them adorning our lives.

Not only the designs and looms, but the work of weaving is itself a continuation of a thousand year old craft rarely practiced today which takes care and time.  Weaving is a slow and repetitive process. Each tapestry requires at least one hundred hours to complete. For this and other reasons, it is a craft and a tradition that could very easily be lost in our fast paced world.  

I hope the pieces I weave express the time, attention, joy, and love they contain, and that each communicates my sense of history, culture, and their value to us all

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 Artist Armando Sosa’s hand-woven, brilliantly colored tapestries and other textiles present themes and images of Guatemala, where he grew up. In them, he employs symbols and images derived from dreams and memories of traditional icons and figures, both religious and secular – some dating back to his native Mayan or pre-Columbian heritage, others to actual memories of a Central American childhood. Additional visual influences incorporated into his designs include African textiles, European Jacquard patterns and Renaissance tapestry details.
Armando Sosa was born in rural Salcaja, in the Guatemalan Highlands, in 1953. His father was a weaver, and, as a young boy, he was given the task of guarding newly dyed threads drying on the grass of the riverbank. His task was to protect the threads from being trampled by cows! At the age of eight, he began spinning and dyeing thread. At fifteen, he was apprenticed to an uncle, and began weaving shawls and other items of clothing on a simple 4-harness loom. At sixteen, he moved to Guatemala City where he first worked with a compound-harness loom.

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